Recent comments in /f/books

georgealice t1_j2dsolq wrote

I love this story. Also I was curious so I found a PDF version and replaced all the male pronouns and titles with female ones, just to see if it became a different story. It did. It was super interesting in how differently it felt (come to think of it, I never did finish reading that version. Maybe that is how I should spend these last 3 days of vacation)

Le Guin has some good interviews where she talked about why she ultimately decided to use masculine pronouns. Let me see if I can find one … OH. It is in the afterward of at least one of the versions. http://theliterarylink.com/afterword.html

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Gemmabeta t1_j2drtpz wrote

There is a term for this:

https://en.wikipedia.org/wiki/Literary_nonsense

Alice as much as there is supposed to be a "point" to the books, the main one seems to be riffing of the endless number of po-faced didactic moralistic poetry that Victorian children were force-fed as part of their education.

All of the poetry in the two books are nonsense parodies of those poems.

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praeqsheria t1_j2dpxg8 wrote

I don’t believe Alice in Wonderland really was written with much deeper meaning intended, it’s just a wild, entertaining children story that veers into absurdity.

I would say, if I were forced to look for some deeper interpretation, that it kind of subverts a lot of the expectations that people tended to have for children stories. Compare it to something like Stevenson’s Treasure Island, that has an easy-to-digest plot, lots of upfront, easy to understand symbolism, and all the different songs and poems and conversations work together thematically to build the same excited, romantic feeling in the reader. Everything which feels like it should be significant, is. At the end of the day, we all learn a valuable lesson about loyalty and greed and bravery and stuff.

Then you have Alice and Through the Looking Glass, in which the plot just abruptly does whatever it wants, the characters confidently use a lot of clever sounding symbolism and idioms but it’s all intentionally made-up and nonsensical, and there isn’t really any rhyme or reason to what is significant and what isn’t, it’s just a fun chaotic ride.

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arcoiris2 t1_j2dpe30 wrote

The Art Of People by Dave Kerpen

The Inefficiency Assassin by Helene Segura

The Squeaky Wheel by Guy Winch

Driven to Distraction at Work by Edward M. Hallowell

13 Things Mentally Strong People Don't Do by Amy Morin

Getting Things Done by David Allen

Talking to Crazy by Mark Goulston

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