Recent comments in /f/books
Ohwhatagoose t1_j6eu5ps wrote
Reply to comment by Impressive-Box9151 in renting or buying: which do you prefer and why? by Cartographer_Waste
How many bookshelves will you need when you turn 70?
lucia-pacciola t1_j6eu0yn wrote
Reply to What’s the point of the “this novel is entirely a work of fiction….” disclaimer? by huphelmeyer
In addition to what else is being said, I think this is like those safety stickers on ladders. It's there because a jackass got away with jackassery one time, so now everyone covers that one scenario preemptively.
Y_Brennan t1_j6etrqb wrote
Reply to comment by JonathanCue in What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
You Should read Annals of the western Shore by Le Guin. The people with powers are a bunch of incestuous mountain clans who only fight each other and don't leave their mountains. It is an awesome series.
lucia-pacciola t1_j6etmen wrote
Reply to What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
Parasite, by Mira Grant, was published in 2013 and set in 2035. But for some reason all the high tech offices in the story are using clipboards instead of tablets. Unreasonably annoys me.
ethanvyce t1_j6etgg8 wrote
Reply to comment by ottopivnr in Re-read the Bone Clocks by David Mitchell by ackthisisamess
What sequence?
Gorf_the_Magnificent t1_j6etfq0 wrote
I’m in my 70’s and Alas, Babylon was required reading in my high school.
One_Laugh6314 t1_j6etavf wrote
Reply to comment by Hats668 in Roberto Bolaño’s 2666 and my struggle to love it by ThatCommanderShepard
The comparison to marquez is because they are both major latin american authors who enjoy commercial success in english translation
Rare-ish_Bird t1_j6et56e wrote
Reply to comment by lostsoul2016 in Seeking passage to use for Eulogy from Hitchhiker's Guide to the Galaxy. by cavillchallenger
This...I want this at my funeral, plus the open gin and tonic bar. Plus, a barrel of salt and vinegar chips at the entrance, a few double layered mirror chocolate cakes, and a bouquet of lilacs in a vase near my urn.
Sorry for your loss. FWIW, When my dad passed, I read the book: Fatherloss, and even though it's focused on men losing their fathers, it really helped me too.
Brighter days ahead, friend.
cowboi-like-yade t1_j6et19j wrote
Reply to comment by scottishfoldwannabe in Carrie Soto Is Back by sailingg
My two favs from her earlier work too! After I Do had me sobbing.
st-julien t1_j6esvg8 wrote
Reply to comment by ohboop in What’s the point of the “this novel is entirely a work of fiction….” disclaimer? by huphelmeyer
I was going to open with that but your mention of Spanish gave me a hook. :D
cowboi-like-yade t1_j6esoof wrote
Reply to comment by sailingg in Carrie Soto Is Back by sailingg
I agree with what they said^. The vibe between her older books and newer is definitely different but the quality of writing is still very high.
ethanvyce t1_j6esfff wrote
Reply to comment by somuchfeels in Re-read the Bone Clocks by David Mitchell by ackthisisamess
Utopia is such a good story, love how he mixes real people in
mikarala t1_j6ergqn wrote
Reply to comment by Mad_Season_1994 in I'm trying to read more. But it's almost like I'm forcing myself to and not because I do it for the enjoyment by Mad_Season_1994
Maybe try some shorter books? Or books commonly considered page turners? The examples you listed are incredibly dense novels with extensive world-building; that can be hard to get through.
grawlyx t1_j6eqypb wrote
Reply to comment by tkeRe1337 in Dickens' David Copperfield: Were men more affectionate with each other in the 18th century? by angelojann
Well that's just a fact, everyone knows that
chefblaze OP t1_j6eqs6g wrote
Reply to comment by denimcat2k in Thoughts on The Baroque Cycle by Neal Stephenson? by chefblaze
I hear ya. There were a couple books I tried reading when I was younger and figured I’d go back to them eventually.
chefblaze OP t1_j6eqj8a wrote
Reply to comment by bad_grahamar in Thoughts on The Baroque Cycle by Neal Stephenson? by chefblaze
I actually like that they are combined. I prefer being able to “binge read” a series as opposed to having to read other stuff while waiting for the next book to come out (if they aren’t all available)
chefblaze OP t1_j6eq38m wrote
Reply to comment by mediadavid in Thoughts on The Baroque Cycle by Neal Stephenson? by chefblaze
Thanks! Seems to be a common suggestion. I’ll check the local library for it!
chefblaze OP t1_j6epsuh wrote
Reply to comment by Tiasthyr in Thoughts on The Baroque Cycle by Neal Stephenson? by chefblaze
Thanks! I’ll check that out and am definitely becoming more interested in reading these!
ohboop t1_j6ep7v6 wrote
Reply to comment by st-julien in What’s the point of the “this novel is entirely a work of fiction….” disclaimer? by huphelmeyer
Well now I just feel like you've buried the lede here.
st-julien t1_j6eobny wrote
Reply to comment by ohboop in What’s the point of the “this novel is entirely a work of fiction….” disclaimer? by huphelmeyer
Also, I worked for a newspaper a long time ago. You have to be very familiar with the concept of libel if you work at a major daily.
JonathanCue OP t1_j6entk3 wrote
Reply to comment by MaoFeipang in What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
Oooh, any specific examples?
MaoFeipang t1_j6eniw3 wrote
Reply to What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
This is more of a general suspension of disbelief issue, but when the author is clearly more sheltered than their own characters/written situations, such that the world they've built isn't something anyone would really be interested in and also the way the characters and react within that world arent really believable -- again, because the author hasn't either been through those emotions or lacks the empathetic imagination to write someone who has.
Tbf, haven't seen it too much, in professionally published works, but when I played editor for my peers in university... Holy shit.
JonathanCue OP t1_j6enfz2 wrote
Reply to comment by Kssio_Aug in What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
Yes, that's why I included the last line of my main post: (until the events of the plot kick off, of course).
When I say unanimous, I am not speaking literally. Obviously the villain in any one of these stories is OFTEN someone who wants to take over both worlds; but there it is: 'The Villain'. Looking at Harry Potter, wizards are recruited from all over the world. They each have different backgrounds, different cultures, different views, different beliefs, and different childhoods; so why is it that it took UNTIL Voldemort for the idea of "Hey, why are we hiding out again?" to seriously arise? Surely this should have been a REGULAR thing the wizarding world contended with. And IF they're contending with it... why? Why is it the 'good' decision to not rule everything? Why did the board of directors decide on THAT approach vs any other? Etc.
Again, 'they felt their aspirations wouldn't get enough traction', but why is that? Why is the wizarding world one centered AROUND non-interference? Why is THAT the default? So on, so forth.
Kssio_Aug t1_j6emngc wrote
Reply to comment by JonathanCue in What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
I mean, in Harry Potter isn't Voldemort objective exactly to rule both worlds and dominate the non-magical humans? So they're not unanimously agreeing with the rules they live by. And Voldemort had his share of allies, they just kept themselves in the shadows when they felt their aspirations wouldn't get enough traction.
JonathanCue OP t1_j6euk25 wrote
Reply to comment by Y_Brennan in What is a plot/world-building issue that breaks your suspension of disbelief? by JonathanCue
I too would fight over having the biggest mountain, so I get it.