Recent comments in /f/books

parasolofdoom t1_j6l8o0c wrote

Original art vs newer is pretty broad-- things released simultaneously in US/UK for example can have different covers. And even your example of HP -- the original UK or original US? And classics, sheesh! What even is the original art for some of those?? I don't feel like this preference question is quite answerable, I sometimes see different artwork on formats for newer stuff!

I don't often read paper books anymore, I prefer a slightly larger font on kindle because I hate using reading glasses. But back before I was all eReader, I preferred Mass Market as those were easiest for me to handle and didn't have a weird texture I hate like some trade paperbacks. I hate dust covers sliding around and mostly lost those anyway for hardcovers.

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arvidsem t1_j6l7q6a wrote

Be fair, he was way more racist than a normal New Englander. To be clear, the average New Englander was pretty damn racist, but H. P. Lovecraft would have placed first in the racism Olympics, but he refused to compete on the grounds that lesser people would be there.

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jpon7 t1_j6l6zcw wrote

I’ve liked some of the King novels that I’ve read but have generally preferred his short stories. I do think that horror is better suited to the short story format, and as much as I enjoy the genre, horror novels are almost always a disappointment.

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MinxyMyrnaMinkoff t1_j6l6rwi wrote

I’ve always thought the murders really happened. I think people miss the point of the final scene. It’s not that Bateman isn’t a murderer, he is, but It. Doesn’t. Matter.

Due to the vapid, superficial world he lives in No. One. Cares. No one cares if he’s Paul or Patrick or Whomever, everyone is interchangeable. No one cares if he’s a psychopath, he’s young and attractive and rich, so they don’t care. He’s literally been saying psychopathic shit for the entire novel, no one cares. His own lawyer laughs off his murder confession. The realtor covers for him for her own gain. The police are never going to arrest him, not even if he murders someone right in front of them. So there really is No Exit for him, he’s stuck, as a terrible person surrounded by terrible people. He’s in hell.

That’s how I always read it anyways.

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queensnyatty t1_j6l5sll wrote

A big part of the problem is not the language but the allusions. If you don’t know who made the “Great Refusal” or what a White Guelf is than you are going to need to stop reading the poem and read a long footnote. That’s guaranteed to kill your momentum and enjoyment.

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