Recent comments in /f/books

writingonyou2 t1_jedombc wrote

I wrote an email to an author whose book I enjoyed. They had the usual contact us form on their website. To my surprise, a week after they replied. It felt comforting because it was during a particularly difficult time in my life. As long as you're being respectful, there should be no harm in sending a letter to them.

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writingonyou2 t1_jedoc6u wrote

I don't think there's a formula to reading. I used to have a rule with myself that i need to finish a book word for word. But I realized that there are too many books to read and only one lifetime. I don't want to waste my time with reading rules. Read how you want. I look at reading like eating. Whether I peel my potato, eat it with the skin, or fry it up as chips is no one's business.

I have another controversial approach to reading though: I read the last chapter first. If it's intriguing enough, I'll read the book in its entirety.

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BlatchfordS t1_jedobai wrote

Otherwise always meeting deadlines in high school, I one night realized—to my horror—I had a test on the novel The Yearling the next day with only half the book read, so I was fated for an F. Then I thought, "I'll skim the second half but keep an eye out for the plot points." Remembering those, I took the test and got a B.

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SeriousQuestions111 OP t1_jedo8z0 wrote

Hey, listen, everytime someone asks hard or uncomfortable questions, they are bound to come off as something to someone. I'm interested to know which part sounded arrogant to you personally? I don't feel elitist for reading, on the contrary, I'm praising how approachable reading is to people in any circumstances.

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sometimeszeppo t1_jedo5hi wrote

Reply to comment by KINGGS in Finally reading Tolkien by jdbrew

Agreed, I’ve heard that Dune has been used for examples in English classes of how NOT to write, because the story and world is often engaging enough to get the students’ interest, but is still filled with mixed metaphors, confused tenses, tautological descriptions, and sometimes the subject of a sentence will change from clause to clause.

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sometimeszeppo t1_jednm3f wrote

The thing with Tolkien’s diction is that it shifts as the story progresses to other areas of Middle-earth. It’s starts off with a rather comfortable, discursive 20th-century style for the Hobbiton scenes, and when the action shifts to other areas the diction becomes much grander to match, like the Medieval Gondor or the Old English Rohan. Sometimes he will purge his writing entirely of words not derived from Old English sources, which truly makes it feel like you’ve travelled to a different place, and in The Return of the King especially he has a very elevated tone, compact, declarative, unafraid of inversion, with a very satisfying balance of iambic and trochaic pulses (it reads well aloud). You’ll also notice that when Aragorn throws off his persona as Strider and assumes the mantle of King of Gondor he often starts speaking in Homeric dactyls, the rhythm and cadence of the heroic Epics, whereas if the Hobbits were ever to start speaking in verse rather than prose it would probably be in common iambs, there are lots of little touches like that that endear LOTR to me.

Like most people here are saying, it’s not for everyone, which may be why so few fantasy writers copy Tolkien’s stylistic strategy in this (they’ve stolen plenty of other things of course). Most fantasy writers show their world by simply railroading you from place to place and then throwing a bunch of invented history at you, but I personally thought that Tolkien’s method with language was the only one that actually made you feel like you’re in a different world. People who have read lots of older quainter books or large epics usually do better with Tolkien than people hoping to curl up with something cosy. Personally I prefer being thrown out of my comfort zone when I read something new rather than just curling up with something that will give me everything I expect a book of its kind to do. It sounds like you’re not going to get out of The Lord of the Rings what Tolkien put into it, so there’s no shame in putting it down and reading something you think will be more worth your time. There are so many masterpieces out there to read that I think you would be doing yourself a disservice if you instead spent your time on a book that didn’t give you anything in return.

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SeriousQuestions111 OP t1_jednbka wrote

Thanks for the advice. I do realise that mental training might be somewhat dangerous if pushed too far, precisely because our brain conveys the reality to us. I do something I call conscious resting (similar to meditating, but less restrictive, you can open your eyes and basically do nothing, allowing you brain to rest from registering physical surroundings and allowing it to naturally flow to any thoughts it likes, without any outside stimulation).

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endlessglass t1_jedn9ly wrote

I thought the book was so great, one of my favourites, even though I knew what happened in the end (because of the movie) - just as funny and I enjoyed the (increased) science! And definitively read, or even better, listen to the audiobook of Project Hail Mary. It’s not a sequel so you could do that first!

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mitkah16 t1_jedmfll wrote

I personally do not do it and if I do it, I ask myself why?

Last time I was doing that was from the Dexter books and I was becoming more and more pissed with the book because I was skipping too much. So I stopped and asked my partner to give me a summary instead.

If half the book is skipped, maybe just search for a summary? It could be the writing style of the author is not for you. Or your brain needs something different (lighter/heavier) at the moment.

I tend to have different books in my Currently Reading so I can switch my attention and keep my brain interested, and if I see one is not interesting I simply remove it. I think we have enough books in our “to read” lists that we shouldn’t really feel bad about removing some for not liking them.

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