Recent comments in /f/movies

johneaston1 t1_j6iqq6h wrote

I watched it about a week ago and overall really enjoyed it! The animation was my favorite aspect as a fan of the medium, but I thought the main characters were well-realized and engaging. In particular, I loved the opening scenes before Pinocchio was made, as well as the circus bits. "Ciao Papa" was perhaps the peak of the film.

The movie did start to lose me a bit in the second half; I thought the fascism angle was not very well-integrated with the rest of the movie, and that whole plotline kinda just never resolved. I e seen several of Del Toro's other movies (Pan's Labyrinth, The Devil's Backbone, and the Hellboy movies), and I felt the messaging in those movies, while never subtle, felt organic. Luckily, it stuck the landing; I really liked the way the movie ended.

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Boston_Baked OP t1_j6iqij3 wrote

I have seen Airplane, but likely missed this scene as I always USED to skip credits. I no longer skip credits, hence the post. It is funny to think that maybe there are more out there, and we simply do not know because we skipped over them LOL

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Massive_Owl7941 t1_j6iq5sz wrote

He’s been writing more lately. Published a novel and two graphic novels since Dragged Across Concrete.

One of them, Hug Chickenpenny, he’s adapting into a film with the Jim Henson Company. Apparently started filming last year.

There was also something about a western series mentioned early last year, but haven’t heard any updates on that.

If you’re a reader check out his books as well. Wraiths of the Broken Land is what got Russell to sign on to Bone Tomahawk without reading the script. Even has a blurb on the back cover.

Mean Business on Ganson Street is in the same genre as Dragged Across Concrete.

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Other-Marketing-6167 t1_j6ipzyb wrote

That last line has gotta be one of the most succinctly sad and true things I’ve heard in a movie.

As a whole I really dug the flick. I think the biggest problem was that despite all the changes, Del Toro was still stuck with telling a story we’ve all seen a million times, and for the most part the story beats remain the same. Not much he could’ve done, just what happens when adapting something so popular. The songs were also pretty weak for the most part.

But hey, I’d still give it 4/5, so these are nit picks. I’d also hot take (?) and say it’s the third best Del Toro movie.

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DarkBladeMadriker t1_j6ipt2i wrote

The Silencers (1966) The first-ever film to have a post-credit scene was The Silencers. Featuring Dean Martin and Daliah Lavi, The Silencers follows secret agent Matt Helm, who comes out of his retirement to stop the Big O from generating global nuclear conflict.

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0xF00DBABE t1_j6ip9yf wrote

I agree; I also think the portrayal of Mussolini was ridiculously comical and undermined any kind of serious critique of fascism. Similar problem to Jo-Jo Rabbit, in my view -- films that flirted with very serious themes but treated them in an irreverent way, leaving the audience with nothing deeper.

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EdgerQuintero t1_j6ip491 wrote

When talking to someone who works on set, it's interesting to know that unless your a DeNiro or Pesci or Baldwin level actor, he's worked with all 3, 2 were a holes, word gets around. I'd say, IF Zack was truly hard to work with, big budget movies don't want to put up with the nonsense. Making movies and TV shows is a lot of work and money. So, the producers and the casting managers typically avoid even having these folks read for roles. So, to answer your question in a long, winded way, the latter. Interesting add, my friend is based solely in NYC, so there are probably other actors dealing with these problems as well, especially those that shoot on locations or are shot in LA. Zack might have more "connections" being in LA, and it's possible that the powers that be are okay with him being a douche of a person.

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shpydar t1_j6ip1fb wrote

Canadian here.

So while a show or 3 produced here that meet our "Canadian Content" rules and are good enough to find an international audience they are the exception not the rule. We get a ton of crap dumped on us due to our quota system, the rest of the World just doesn't see all the garbage on Canadian airwaves so it makes it appear only quality content comes from Canada. It does not.

Yes we have the advantage of a really robust film and television infrastructure as many U.S. produced films and TV are made in Canada, the truth is our requirements to be "Canadian content" makes the majority of what is created in Canada not eligible to be considered "Canadian". So what happens? Streaming services don't invest in protectionism countries, instead they reduce the content from other locations to meet our quotas.

Content protectionism does not increase production of local content, instead it reduces content from other countries. Canadian Netflix has significantly less content than either U.S. or U.K. Netflix simply to meet our quotas.

Canada is not a good example of content censoring due to protectionism. We are a cautionary tale not an epitome.

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