Recent comments in /f/television

catclockticking t1_j7tdxpk wrote

It’s partially that but your point about the streaming model is more on point — clearing music rights for streaming is a whole other beast from clearing them for syndication or cable, which is why many moderately popular shows that used the trope heavily aren’t available to stream. ‘Joan of Arcadia’ and ‘Judging Amy’ come to mind among cheesy shows I loved in the early 2000s.

‘Cold Case’ not only leaned heavily on music syncs to power the storytelling and pull easy emotional levers, they milked them for extra $$$. I distinctly recall a then-upcoming album release from Bruce Springsteen being cross-promoted on ‘Cold Case.’ Three or four of the tracks were played in the episode, and the episode was promoted on the opportunity to hear the songs before anyone else.

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44problems t1_j7t083o wrote

Blackish did a storyline where the main characters separated. It was really raw but just such a heavy turn, even for a show that dealt with the real world often.

Some people really liked it but I hated it. Made me trail off from watching the show because it was such a downer. And it used goddamn Fix You ... In 2018!

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smesch83 t1_j7sypyl wrote

as a fan of teen dramas, I want to say that this was really, really comnon in the 90s already (and to some extent in the 80s too, in shows like "The Wonder Years").

but yes: by the mid-200s, shows like "One Tree Hill" often had three or four of these music scenes/montages per episodes. "Grey's Anatomy" and "Scrubs" (as more of a parody) did it a lot, too.

also, I haven't seen much "Baywatch" (lol), but I caught two or three episodes in the mid-90s where there were one or two complete songs (a sad ballad about forgetting while a character with Alzheimer's got lost on the way to the beach etc.) per episode.

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Orcus424 t1_j7so3rc wrote

> The potential series, which is produced in-house at CBS Studios, revolves around legendary talk radio host and happily divorced “Poppa” (Wayans) who has his point of view challenged at work when a new female co-host is hired and at home where he finds himself still parenting his adult son (Wayans Jr.), a brilliant dreamer who is trying to pursue his passion while being a responsible father and husband.

Going for the Boomer knows best kind of show with the Xennial not having their act together. They are definitely go for the old CBS crowd.

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